Krzysztof Sokolovski →
SA11102021 Motherhood II (from an art series: Motherhood)
2021, chalky-glue primer, ink, gilding, intarsia, sculpted board, kowczeg, 94 x 44 cm (ID: 4143)
Intarsia is a form of wood inlaying that is similar to marquetry. The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of table tops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass. The word intarsia may derive from the Latin word interserere (to insert). Intarsia uses varied shapes, sizes, and species of wood fitted together to create a mosaic-like picture with an illusion of depth. Intarsia is created through the selection of different types of wood, using their grain pattern and coloring to create variations in the pattern. After selecting the specific woods for the pattern, the woodworker cuts, shapes, and finishes each piece. Some areas of the pattern may be raised to create more depth.
Kowczeg - a shallow depression in the centre of the front side of a board. In the Church Slavonic language the word kowczeg means an ark and refers to the Ark of the Covenant. This is supposed to indicate the sacred character of the painting itself as a kind of relic. In kowczeg placed the main image, and at the edge of the board, called the field of the icon - small scenes and figures of saints (klejma) or inscriptions. Often the field remains empty, or part of the image enters it from kowczeg (eg halo). A small curve between the field of the icon and kowczeg, is called łuzga.