Temple in Jerusalem III – Galeria Bohema

Joanna Mazuś

Joanna Mazuś →

Temple in Jerusalem III (from an art series: Temple in Jerusalem)

2020, egg tempera, shellac, gilding, sculpted board, kowczeg, 56 x 35,5 cm (ID: 12225)

Author	Joanna Mazuś
Art series	Temple in Jerusalem
Year	2020
Technique	kowczeg, shellac, egg tempera, gilding
Base	sculpted board
Dimensions	56 x 35,5 cm
Shape	vertical rectangle
Edition	unique artwork
Signature	signature by author

Exhibitions in Bohema Gallery 1
■ Exhibition “Figures and Structures”, November 2023 →

Available Price:

4 200 zł

Availability: In stock

Kowczeg - a shallow depression in the centre of the front side of a board. In the Church Slavonic language the word kowczeg means an ark and refers to the Ark of the Covenant. This is supposed to indicate the sacred character of the painting itself as a kind of relic. In kowczeg placed the main image, and at the edge of the board, called the field of the icon - small scenes and figures of saints (klejma) or inscriptions. Often the field remains empty, or part of the image enters it from kowczeg (eg halo). A small curve between the field of the icon and kowczeg, is called łuzga.

Shellac - a variety of natural resin, extracted from the secretion of insects (Kerria lacca) called Juneflies (from the red colour), which live in India and Thailand on trees, popularly known as shellac trees. Depending on the type of tree, shellac ranges in colour from yellow to reddish-brown. In India, this resin has been used since ancient times as a dye for colouring clothes. Since the 16th century, it has been a valued furniture finisher, as well as an ingredient in varnish, lacquer and violin varnish. Natural shellac, despite the widespread use of synthetic resins, is irreplaceable in many fields: food industry, pharmaceutical industry, production of paints and varnishes, ink, restoration of historical objects.

Egg tempera - the most durable technique, next to wax tempera, in which the binder of colours is organic. It can be wine, vinegar or water mixed with egg yolk (egg tempera). This technique has been known since antiquity and was most popular in the Middle Ages. Unlike oil painting, the paint dries quickly, becomes brighter when dry and it is more difficult to select and mix colours.

Add to wishlist