Joanna Mazuś →
Unity of Spirit, Thought and Matter
2020, egg tempera, vinyl technique, shellac, gilding, sculpted board, kowczeg, 73 x 38 cm (ID: 11892)
4 600 zł
Joanna Mazuś, Unity of Spirit, Thought and Matter (ID: 11892)
4 600 zł
Sales support About Us →
Availability: In stock
Kowczeg - a shallow depression in the centre of the front side of a board. In the Church Slavonic language the word kowczeg means an ark and refers to the Ark of the Covenant. This is supposed to indicate the sacred character of the painting itself as a kind of relic. In kowczeg placed the main image, and at the edge of the board, called the field of the icon - small scenes and figures of saints (klejma) or inscriptions. Often the field remains empty, or part of the image enters it from kowczeg (eg halo). A small curve between the field of the icon and kowczeg, is called łuzga.
Shellac - a variety of natural resin, extracted from the secretion of insects (Kerria lacca) called Juneflies (from the red colour), which live in India and Thailand on trees, popularly known as shellac trees. Depending on the type of tree, shellac ranges in colour from yellow to reddish-brown. In India, this resin has been used since ancient times as a dye for colouring clothes. Since the 16th century, it has been a valued furniture finisher, as well as an ingredient in varnish, lacquer and violin varnish. Natural shellac, despite the widespread use of synthetic resins, is irreplaceable in many fields: food industry, pharmaceutical industry, production of paints and varnishes, ink, restoration of historical objects.
Vinyl technique - a proprietary technique based on vinyl resin. It is characterized by a very matte and at the same time smooth finish that highlights the luminosity of the pigments, especially ultramarine.
Egg tempera - the most durable technique, next to wax tempera, in which the binder of colours is organic. It can be wine, vinegar or water mixed with egg yolk (egg tempera). This technique has been known since antiquity and was most popular in the Middle Ages. Unlike oil painting, the paint dries quickly, becomes brighter when dry and it is more difficult to select and mix colours.